Court Jones Blog
Hey Man. At least I'm housebroken. 
Saturday, November 05, 2011, 11:30 AM - Caricatures
Posted by Administrator
Just wanted to have some fun with a little oil caricature study of The Dude. 12 x 16"







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Shiny Things 
Monday, October 17, 2011, 08:38 PM - Paintings
Posted by Administrator
Here's a couple recent small still life studies. I love painting metallic surfaces, both shiny and patinated. And I've been wanting to start painting vintage toys for a while. The problem is, you have to find and collect them first! So here's the first one I found at Comic Con.





And a little vessel I found at a consignment shop.


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New Portrait Commission 
Tuesday, September 13, 2011, 03:00 PM - Portraits
Posted by Administrator
I just delivered a portrait commission to a family here in San Diego. I took several photos of the mother and son, from which to work. But they ended up sending me one of their own photos, which ended up being a pretty good choice. I liked the lighting coming in from the side, but would have liked it more if there were some lighting on the mom's face too. Sometimes, picking just the right photo to work from can be the most difficult choice.

Overall, I'm very happy with it. This is oil on 18 x 24" Claessen's linen. Click on the image for a larger view.

Or see it on my portrait website: www.crjonesart.com


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Breaking in a new canvas 
Wednesday, September 07, 2011, 09:40 AM - Paintings
Posted by Administrator
I've been using Claessen's Belgian oil primed linen for my fine art work for the past few years. It's the canvas of choice of many artists I admire like Jeremy Lipking and Morgan Weistling. And it is pretty great to paint on. But it's really tough to stretch since it's so rigid, and for some reason, it doesn't like to adhere to hardboards very well with any type of glue that I've tried. It either bubbles up in places, or the edges peel away. So I decided to try something new.

I ordered a small sample of Raphael oil primed linen and did this little oil sketch below to take it for a test drive. I immediately noticed it's more slick than the Claessen's. Paint doesn't stick to it as well, initially. But that actually can be a bonus, when you begin a painting; a little goes a long way. You can easily spread color around and block in the big shapes quickly, without much resistance. But then, more effort is required to get thicker paint to stay in place as you go along. Needless to say, my soft Langnickle sable brushes were my primary tools. I used some stiff bristle brushes at the end to lay down the thickest areas. But I couldn't use the bristles very much, because they ended up removing more paint than they laid down on that slick surface.

This Raphael canvas adheres really well to boards, and it is more flexible and easier to stretch than the Claessen's. So I went ahead and ordered the whole role of Raphael. And there's a lot of it, so I'll be using it for quite a while. And I do like the finished look of the surface--the way the paint interacts with this linen's weave.

This 8 x 10" study was done from a book of Steve McCurry portrait photos.


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Walken a thin line. 
Monday, August 29, 2011, 04:18 PM - Caricatures
Posted by Administrator
I apologize for the lack of posts this summer. I promise to be better about posting new stuff!

This is a small oil painting I just finished for this week's Caricaturama Showdown competition on Facebook. The subject was Christopher Walken. He has always been one of my favorite faces to draw. And whenever I attempt another Walken caricature, I try a different spin to try to find the definitive likeness. I don't think I"m quite there yet. But this was a very fun one to paint because I was pretending I was Velasquez or Rembrandt in the overall look and atmosphere. So I changed the background and clothing from the original photo to create a more timeless portrait.

His face torments and haunts me in my dreams. So he is Walken, the tormentor.

Oil on Claessens linen, 16 x 20"



And a detail shot


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